Preview

Izvestiya vuzov. Investitsii. Stroitelstvo. Nedvizhimost

Advanced search

Silicate glass: a portrait in material

https://doi.org/10.21285/2227-2917-2021-2-354-367

Abstract

The article is devoted to handling transparent silicate glass by glass fusing and preserving the graphic concept of the design project in the material. The study aims to obtain a collection of creative artworks in the material on the "Portrait" topic, ready for exposition. Since the training took place in a remote form, a material replacement technique was used to perform the artwork. This pedagogical method helps make a task achievable by applying a simpler solution; e.g., silicate glass was used instead of clay, terracotta or industrial porcelain. Background research in the field of a portrait, an assessment of work with nature, samples prepared in silicate glass comprise the stages on the way from a linear drawing to a material. The design part of the project is based on a graphical approach. Working with silicate glass is based on the hot-cold work, namely, sintering or fusing. The incorporation of metal elements in the body of the sintered panel picture was performed experimentally. For an image in material, we used equipment of ceramics workshops, including an electric marble furnace. Photographic material supports the step-by-step method. This research resulted not only in a collection of student artworks ready for exhibition on the "Portrait" topic but also in the proprietary method of graphic work with silicate glass. The obtained artworks took part in an international student exhibiting competitions in 2021. Professional exhibitions should be the result of the development of students works in the long term. In conclusion, a number of proposals are made on the further use of silicate glass for creative educational work in the field of design.

About the Author

O. Yu. Kopenkina
Irkutsk National Research Technical University
Russian Federation

Olga Yu. Kopenkina, associate Professor of the Department of Monumental and Decorative Painting and Design named after V.G. Smagin

83 Lermontov St., Irkutsk, 664074



References

1. Gorkin AP (eds.). Art. A modern illustrated encyclopedia. Part 1 (A–G). Moscow: Rosmen; 2007. 206 p. (In Russ.)

2. Beardsley A. Masterpieces graphics. Moscow: Eksmo; 2006. 216 p. (In Russ.)

3. Galina Novikova. Painting: album. Irkutsk: Artizdat; 2015. 224 p. (In Russ.)

4. The Hermitage. Selected Renaissance prints. L.: Aurora art publishers; 1982. 330 p.

5. Sopotsinsky O. (comp.). Art in the Soviet Union. L.: Aurora art publishers; 1978. 500 p.

6. Jackson I. The Architecture School Survival Guide. St. Petersburg: Piter; 2017. 152 p. (In Russ.)

7. Shelby J. Introduction to Glass Science and Technology. Moscow: Mir; 2006. 288 p. (In Russ.)

8. Interregional art exhibition “Form 2.0. Decorative arts ". Novosibirsk, 2020. 296 p. (In Russ.)

9. Art Irkutsk: album-catalog of the Autumn Regional Exhibition of IRO VTOO “Union of Artists of Russia”, dedicated to the Year of Theater in Russia. Irkutsk: Soyuz khudozhnikov Rossii; Irkutsk Regional Art Museum. V.P. Sukacheva; 2019. 268 p. (In Russ.)

10. Subbotina OS. The emergence and development of the genre of glass art object in soviet art glass. Artikult. 2015;2(18):56–61. (In Russ.)


Review

For citations:


Kopenkina O.Yu. Silicate glass: a portrait in material. Izvestiya vuzov. Investitsii. Stroitelstvo. Nedvizhimost. 2021;11(2):354-367. (In Russ.) https://doi.org/10.21285/2227-2917-2021-2-354-367

Views: 87


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2227-2917 (Print)
ISSN 2500-154X (Online)